We bought our building here in the Sixties, and I've lived two minutes in one direction and three in the other. The Beatles once took refuge in my workroom because they were being mobbed when they were out shopping, and the Rolling Stones always used the fish restaurant nearby. Such streets are only feasible in New York because they are dead straight and open to the sea at each end. To leave London is to admit that something inside you has died; the bright lights of London never grow any dimmer, it's only the people who grow dullernot too high-octane, rather dreamlike, in fact - and everywhere fretted with gardens, trees and more trees, a city half hidden by leaves.Most of it is on a human scale: London doesn't go for canyon streets - it would quickly paralyse itself if it did. When we've won a trophy, the council workers mowing Highbury fields wear little red and white hats, and I feel very much as though they are an integral part of my local community, reminding me of the old line about London being a collection of villages.

Even the ceremonial centre is assembled haphazardly.And here is the magic - this labyrinth is not a prison It constantly dissolves into fantasy and escape. All is surprise, fascination and diversion:Tony Parsons, writer and presenterThe greatest thing about London is being able to live within walking distance of a bookshop, a Vietnamese restaurant and Highbury football ground, the home of football. There is no way of standing outside it because it is not a place but a medium which only ever reveals parts of its parts. Its space, like that of the universe, is curved; but, as with the universe, you can only be inside London. This is the nearest London ever gets to purity of form, and for the uninitiated this is London at its most terrifying.London doesn't have straight lines. Outside the endlessly redeveloped core, in the late 19th-/ early 20th- century suburbia, the mysterious labyrinth exists in almost pure form: miles and miles of chimney-potted gables. The place is an aggregate of one-offs, and we scramble about as best we can.London has no edge.

It flows on and on, in every direction, and most of it is flat, so that it's rare to gain a perspective beyond the next twisted street. Culturally, socially and physically, it grows in and out of itself, and the suburbs, when you reach them, are not young.Other cities are ringed with suburbs of modern residential towers: London suburbs have mediaeval hearts with Tudor and 17th-century skeletons, 16th-century muscle, 19th-century flesh, 20th-century plastic surgery. It's a city of houses, and, because an Englishman's home is his castle, every house wants to be different and have a door directly onto the street. The result is bizarre conjunctions and chemical combinations - no uniformity at all Nothing coherent lasts in London for long. The one chance for a rational plan - Wren's, after the Great Fire - never took off, and London has continued to burgeon as a random heaven and hell. Where the hell...?London is the first and archetypal city as blind giant: the anonymous and unappeasable maw.